Archive

0

This is a primary topic

0

Everyone for themselves

In the virtual world of the Internet it is every one for themselves, including countries. Although the Internet was thought to be able to pull people and countries together, it seems to pull them apart.

In one newspaper it had the headline "EU Fears U.S.-Google World Dominance". It carried on to state:

  • How Google Inc. is creating a massive digital library on old historic books, triggering strong fears in Europe about Anglo-American cultural dominance that one critic is warning of a "unilateral command of the thought of the world."
  • The project, announced in December, involves scanning millions of books at the libraries of four universities - Oxford, Harvard, Stanford and the University of Michigan - as well as the New York Public Library and putting them online.
  • How this could lead to a U.S.-centric version of the world's literary legacy
  • So great is the concern that six European leaders have jointly proposed creating a "European digital library" to counter the project by Google Print, as the new venture is known.

Also think of:

  • The effects of Hollywood movies on other cultures
  • What country does not have an American Food Chain

Top words in Wikipedia

Wikipedia.org is apparently a free encyclopedia that is being written collaboratively by people from around the world, well that is what they tell people. All in all, I think that Wikipedia does a good job, but here is a thought...

As Wikipedia is quite open, all their statistics are displayed for anybody to see. On one occasion I was browsing the most frequent 5,000 English words used on Wikipedia. The following are the top 15 keywords:

  • Redirect
  • Category
  • User
  • United
  • 2004
  • States
  • People
  • External
  • Made
  • Years
  • Utc
  • American
  • Links
  • Time
  • Stub

What I found quite strange was that in the top 10 were the words "United" and "States". So I came to the conclusion that United States is mentioned a lot in Wikipedia.

Wikipedia is described by its founder Jimmy Wales as "an effort to create and distribute a free encyclopedia of the highest possible quality to every single person on the planet in their own language".

  • Just try and think why United States is mentioned so many times...
  • Is the Internet just a case of the history of rich people being preserved, while the history of poor people is forgotten?
  • Is it just everyone for themselves on and off the Internet?
0

Common Comparisons

After looking at the top words used on Wikipedia, I decided to make a summary. So here are some notes from the Most frequent 5,000 English words from wikimedia.org

  • United States is the most mention country
  • White is the most mention color
  • Kilometers are more popular than Miles
  • The word "Male" is mentioned just a few more times than "Female"
  • March is the most common month
0

7 tips for keeping your desk messy

A messy desk is a sign of creativity and imagination. There is something about a messy desk that makes it look like work has been done. Many of the smartest people in history were so involved in their work that they did not bother to tidy things like their desk.

A desk that is too clean and tidy gives the impression that you have no on-going work and might need more work. You can have that, so here are some tips to keep your desk messy.

Scrap paper

Leave scrap paper in a messy pile on your desk where there is empty space. A clean empty space is known to collect unwanted items, so am to have no empty space.

Paper stacks

Why waste time getting up and putting something into a filing cabinet? Instead place in very large piles on your desk. This will also give you a bit more privacy if you start adding boxes to the piles and they are stacked high enough.

Post-it notes

Use post-it notes to remind yourself of what you need to do. You should not be able to see the frame of your monitor.

Keep print-outs

Instead of reading something on the computer, print it out. When you are finished with the print-outs, just add them to another stack on your desk for random crap.

Never plan to clean your desk

If you plan to clean your desk, you have too much time on your hands and can't be getting enough work done. Stop procrastinating.

Keep lots of pens

As your desk becomes messier, you may lose a few pens here and there. Make sure that there are enough pens on your desk so that this is not a problem.

Coffee cup challenge

Have a coffee cup challenge with one of your co-workers to see who can leave the most coffee cups on their desk.

0

Free iPod from Krugle.com

It is always very cool to get free stuff, and even better to win it.

I am an application developer by trade and while I was at work, I was pointed to a site called Krugle. The site had a slick interface and made some claims that really caught my eye. Some of the claims were:

  • Find code, Find answers - Krugle makes it easy for developers to find source code and technical information - fast!
  • Quickly find and review source code
  • Find code-related technical information
  • Save, annotate and share your search results with others... all from within a single, easy-to-use, web application.

My initial expectation was a search engine that only half worked and did not return any relevant results, but boy was I wrong. Krugle seemed to have a vast knowledge of code from all round the net, and could pick the best parts out at the click of a button.

When I hit a few problems at work, it was so easy to flick to Krugle, see how someone else got around the problem and implement aspects from a few of the results.

Somehow on my travels around Krugle, I entered my email address into an iPod draw. It might have been for a survey or just for signing up, I can not remember. Anyway, a month or two later I had my new iPod from Krugle in hand.

Not only did I find a brilliant coding resource, I also got a free iPod from it.

Krugle.com rocks.

0

Open Source Cola

Good ideas are worth money. So why are hard headed operators giving them away for free? Join our experiment to find out says Graham Lawton

IF YOU'VE BEEN to a computer show in recent months you might have seen it: a shiny silver drinks can with a ring-pull logo and the words "opencola" on the side. Inside is a fizzy drink that tastes very much like Coca-Cola. Or is it Pepsi?

There's something else written on the can, though, which sets the drink apart. It says "check out the source at opencola.com". Go to that Web address and you'll see something that's not available on Coca-Cola's website, or Pepsi's--the recipe for cola. For the first time ever, you can make the real thing in your own home.

OpenCola is the world's first "open source" consumer product. By calling it open source, its manufacturer is saying that instructions for making it are freely available. Anybody can make the drink, and anyone can modify and improve on the recipe as long as they, too, release their recipe into the public domain. As a way of doing business it's rather unusual--the Coca-Cola Company doesn't make a habit of giving away precious commercial secrets. But that's the point.

OpenCola is the most prominent sign yet that a long-running battle between rival philosophies in software development has spilt over into the rest of the world. What started as a technical debate over the best way to debug computer programs is developing into a political battle over the ownership of knowledge and how it is used, between those who put their faith in the free circulation of ideas and those who prefer to designate them "intellectual property". No one knows what the outcome will be. But in a world of growing opposition to corporate power, restrictive intellectual property rights and globalisation, open source is emerging as a possible alternative, a potentially potent means of fighting back. And you're helping to test its value right now.

The open source movement originated in 1984 when computer scientist Richard Stallman quit his job at MIT and set up the Free Software Foundation. His aim was to create high-quality software that was freely available to everybody. Stallman's beef was with commercial companies that smother their software with patents and copyrights and keep the source code--the original program, written in a computer language such as C++--a closely guarded secret. Stallman saw this as damaging. It generated poor-quality, bug-ridden software. And worse, it choked off the free flow of ideas. Stallman fretted that if computer scientists could no longer learn from one another's code, the art of programming would stagnate (New Scientist, 12 December 1998, p 42).

Stallman's move resonated round the computer science community and now there are thousands of similar projects. The star of the movement is Linux, an operating system created by Finnish student Linus Torvalds in the early 1990s and installed on around 18 million computers worldwide.

What sets open source software apart from commercial software is the fact that it's free, in both the political and the economic sense. If you want to use a commercial product such as Windows XP or Mac OS X you have to pay a fee and agree to abide by a licence that stops you from modifying or sharing the software. But if you want to run Linux or another open source package, you can do so without paying a penny--although several companies will sell you the software bundled with support services. You can also modify the software in any way you choose, copy it and share it without restrictions. This freedom acts as an open invitation--some say challenge--to its users to make improvements. As a result, thousands of volunteers are constantly working on Linux, adding new features and winkling out bugs. Their contributions are reviewed by a panel and the best ones are added to Linux. For programmers, the kudos of a successful contribution is its own reward. The result is a stable, powerful system that adapts rapidly to technological change. Linux is so successful that even IBM installs it on the computers it sells.

To maintain this benign state of affairs, open source software is covered by a special legal instrument called the General Public License. Instead of restricting how the software can be used, as a standard software license does, the GPL--often known as a "copyleft"--grants as much freedom as possible. Software released under the GPL (or a similar copyleft licence) can be copied, modified and distributed by anyone, as long as they, too, release it under a copyleft. That restriction is crucial, because it prevents the material from being co-opted into later proprietary products. It also makes open source software different from programs that are merely distributed free of charge. In FSF's words, the GPL "makes it free and guarantees it remains free".

Open source has proved a very successful way of writing software. But it has also come to embody a political stand--one that values freedom of expression, mistrusts corporate power, and is uncomfortable with private ownership of knowledge. It's "a broadly libertarian view of the proper relationship between individuals and institutions", according to open source guru Eric Raymond.

But it's not just software companies that lock knowledge away and release it only to those prepared to pay. Every time you buy a CD, a book, a copy of New Scientist, even a can of Coca-Cola, you're forking out for access to someone else's intellectual property. Your money buys you the right to listen to, read or consume the contents, but not to rework them, or make copies and redistribute them. No surprise, then, that people within the open source movement have asked whether their methods would work on other products. As yet no one's sure--but plenty of people are trying it.

Take OpenCola. Although originally intended as a promotional tool to explain open source software, the drink has taken on a life of its own. The Toronto-based OpenCola company has become better known for the drink than the software it was supposed to promote. Laird Brown, the company's senior strategist, attributes its success to a widespread mistrust of big corporations and the "proprietary nature of almost everything". A website selling the stuff has shifted 150,000 cans. Politically minded students in the US have started mixing up the recipe for parties.

OpenCola is a happy accident and poses no real threat to Coke or Pepsi, but elsewhere people are deliberately using the open source model to challenge entrenched interests. One popular target is the music industry. At the forefront of the attack is the Electronic Frontier Foundation, a San Francisco group set up to defend civil liberties in the digital society. In April of last year, the EFF published a model copyleft called the Open Audio License (OAL). The idea is to let musicians take advantage of digital music's properties--ease of copying and distribution--rather than fighting against them. Musicians who release music under an OAL consent to their work being freely copied, performed, reworked and reissued, as long as these new products are released under the same licence. They can then rely on "viral distribution" to get heard. "If the people like the music, they will support the artist to ensure the artist can continue to make music," says Robin Gross of the EFF.

It's a little early to judge whether the OAL will capture imaginations in the same way as OpenCola. But it's already clear that some of the strengths of open source software simply don't apply to music. In computing, the open source method lets users improve software by eliminating errors and inefficient bits of code, but it's not obvious how that might happen with music.

It's also not clear why any mainstream artists would ever choose to release music under an OAL. Many bands objected to the way Napster members circulated their music behind their backs, so why would they now allow unrestricted distribution, or consent to strangers fiddling round with their music? Sure enough, you're unlikely to have heard of any of the 20 bands that have posted music on the registry. It's hard to avoid the conclusion that Open Audio amounts to little more than an opportunity for obscure artists to put themselves in the shop window.

The problems with open music, however, haven't put people off trying open source methods elsewhere. Encyclopedias, for example, look like fertile ground. Like software, they're collaborative and modular, need regular upgrading, and improve with peer review. But the first attempt, a free online reference called Nupedia, hasn't exactly taken off. Two years on, only 25 of its target 60,000 articles have been completed. "At the current rate it will never be a large encyclopedia," says editor-in-chief Larry Sanger. The main problem is that the experts Sanger wants to recruit to write articles have little incentive to participate. They don't score academic brownie points in the same way software engineers do for upgrading Linux, and Nupedia can't pay them.

It'sa problem that's inherent to most open source products: how do you get people to chip in? Sanger says he's exploring ways to make money out of Nupedia while preserving the freedom of its content. Banner adverts area possibility. But his best hope is that academics start citing Nupedia articles so authors can earn academic credit.

There's another possibility: trust the collective goodwill of the open source community. A year ago, frustrated by the treacle-like progress of Nupedia, Sanger started another encyclopedia named Wikipedia (the name is taken from open source Web software called WikiWiki that allows pages to be edited by anyone on the Web). It's a lot less formal than Nupedia: anyone can write or edit an article on any topic, which probably explains the entries on beer and Star Trek. But it also explains its success. Wikipedia already contains 19,000 articles and is acquiring several thousand more each month. "People like the idea that knowledge can and should be freely distributed and developed," says Sanger. Over time, he reckons, thousands of dabblers should gradually fix any errors and fill in any gaps in the articles until Wikipedia evolves into an authoritative encyclopedia with hundreds of thousands of entries.

Another experiment that's proved its worth is the OpenLaw project at the Berkman Center for Internet and Society at Harvard Law School. Berkman lawyers specialise in cyberlaw--hacking, copyright, encryption and so on--and the centre has strong ties with the EFF and the open source software community. In 1998 faculty member Lawrence Lessig, now at Stanford Law School, was asked by online publisher Eldritch Press to mount a legal challenge to US copyright law. Eldritch takes books whose copyright has expired and publishes them on the Web, but new legislation to extend copyright from 50 to 70 years after the author's death was cutting off its supply of new material. Lessig invited law students at Harvard and elsewhere to help craft legal arguments challenging the new law on an online forum, which evolved into OpenLaw.

Normal law firms write arguments the way commercial software companies write code. Lawyers discuss a case behind closed doors, and although their final product is released in court, the discussions or "source code" that produced it remain secret. In contrast, OpenLaw crafts its arguments in public and releases them under a copyleft. "We deliberately used free software as a model," says Wendy Selzer, who took over OpenLaw when Lessig moved to Stanford. Around 50 legal scholars now work on Eldritch's case, and OpenLaw has taken other cases, too.

"The gains are much the same as for software," Selzer says. "Hundreds of people scrutinise the 'code' for bugs, and make suggestions how to fix it. And people will take underdeveloped parts of the argument, work on them, then patch them in." Armed with arguments crafted in this way, OpenLaw has taken Eldritch's case--deemed unwinnable at the outset--right through the system and is now seeking a hearing in the Supreme Court.

There are drawbacks, though. The arguments are in the public domain right from the start, so OpenLaw can't spring a surprise in court. For the same reason, it can't take on cases where confidentiality is important. But where there's a strong public interest element, open sourcing has big advantages. Citizens' rights groups, for example, have taken parts of OpenLaw's legal arguments and used them elsewhere. "People use them on letters to Congress, or put them on flyers," Selzer says.

The open content movement is still at an early stage and it's hard to predict how far it will spread. "I'm not sure there are other areas where open source would work," says Sanger. "If there were, we might have started it ourselves." Eric Raymond has also expressed doubts. In his much-quoted 1997 essay, The Cathedral and the Bazaar, he warned against applying open source methods to other products. "Music and most books are not like software, because they don't generally need to be debugged or maintained," he wrote. Without that need, the products gain little from others' scrutiny and reworking, so there's little benefit in open sourcing. "I do not want to weaken the winning argument for open sourcing software by tying it to a potential loser," he wrote.

But Raymond's views have now shifted subtly. "I'm more willing to admit that I might talk about areas other than software someday," he told New Scientist. "But not now." The right time will be once open source software has won the battle of ideas, he says. He expects that to happen around 2005.

And so the experiment goes on. As a contribution to it, New Scientist has agreed to issue this article under a copyleft. That means you can copy it, redistribute it, reprint it in whole or in part, and generally play around with it as long as you, too, release your version under a copyleft and abide by the other terms and conditions in the licence.

One reason for doing so is that by releasing it under a copyleft, we can print the recipe for OpenCola without violating its copyleft. If nothing else, that demonstrates the power of the copyleft to spread itself. But there's another reason, too: to see what happens. To my knowledge this is the first magazine article published under a copyleft. Who knows what the outcome will be? Perhaps the article will disappear without a trace. Perhaps it will be photocopied, redistributed, re-edited, rewritten, cut and pasted onto websites, handbills and articles all over the world. I don't know--but that's the point. It's not up to me any more. The decision belongs to all of us.

0

Open Souce Cola Formula

Disclaimer

Making soft drinks is not for the faint of heart, nor the dirty of finger. It is a solemn enterprise not to be entered into lightly, as with marriage or buying used farm machinery.

With any food-prep, failure to observe basic hygienic principles, follow directions, and exercise common sense can have grave consequences. OpenCola assumes no liability for any problems that arise out of the use of this document. Proceed at your own risk. No one's putting a gun to your head, so don't bother if you can't boil water.

Improper use of cola might result in blunt trauma, puncture wounds, physical illness, mental illness, caffeine dependency, dental necrosis, acid reflux, death, devastation, and random tax audits. Or it might not.

A list of warnings has been provided below. We did not include them for our health â€" we included them for yours. Read them. Know them. Follow them. Tattoo them to your backside.

Just in case you have any doubt: following the directions below may be hazardous to your health and property. You assume any and all risk arising from the manufacture and consumption of cola.

An important note: this is not the recipe for "OpenCola" - that is, the canned beverage from OpenCola that you may have received at a trade show, or other venue or outlet. Making canned cola requires millions of dollars in abstruse gear and manufacturing gizmos. It's easier to make nerve gas than manufacture cola. This is a kitchen-sink recipe that you can make all on your own. It is our kitchen-sink recipe. We figured it out somewhere between coding the COLA SDK and debugging the Linux build of the clerver.

Anyway, we've tried to be nice about the disclaimer. If it's not good enough for you, here's what our lawyers have to say about the whole shootin' match.

By copying and/or distributing the Program, you hereby agree to the following:

Indemnity: You shall indemnify, defend, and hold harmless OpenCola, its affiliates, directors, officers, and employees from and against any third-party claim, demand, cause of action, debt, liability, cost or expense (including, but not limited to, reasonable attorneys' fees) arising out of your use of the Recipe, or any derivative thereof, including, but not limited to, any claims arising from your distribution of soft drink based on the Recipe or any derivatives thereof.

International: OpenCola makes no representation that the Recipe, or any soft drink based on the Recipe or any derivatives thereof, may be appropriate for use in locations outside of the United States or Canada, and accessing them from any location where their use is illegal is prohibited. If you choose to access this Recipe from any location outside of the United States or Canada, you do so at your own risk, and are responsible for compliance with all local laws.

License:

OpenCola soda is distributed under the terms of the General Public License (GPL), a copy of which is appended to the bottom of this document. Please check out Richard Stallman's Free Software Foundation. He wrote the GPL and has plenty of interesting documentation on the site.
Version History:

1.1.3
2/20/01
Added sterner caffeine warnings, link to Material Safety Data Sheet â€" thanks to Tom Swulius. Added contributors section.

1.1.2
1/31/01
Fixed Amanda's email address

1.1.1
01/30/01
Even more disclaimer, this time to differentiate this recipe from the stuff in the cans.

1.1
01/29/01
Fixed typos. Made disclaimer scarier. Removed snotty references to Americans.

1.0
01/27/01

Introduction

Contained hereunder is a HOW-TO for brewing up kitchen-sink OpenCola. Amazingly enough, every soft-drink vendor we spoke to acted like the preparation of cola was some kind of deep, dark trade-seekrutâ"¢. With much reverse-engineering and creative shopping, the research kitchens at OpenCola have coopered together the following makefile for brewing up The Black Waters of Corporate Imperialismâ"¢ in the privacy of your own home.

The basis for the whole thing is the 7X, Top-Seekrutâ"¢ formula. Our sources tell us that 7X is the internal Coca-Cola codename for their syrup. You'll note that the 7X formula contains eight ingredients: still more evidence of the deviousness of the Soda Gnomes.

As it turns out, mixing up a batch of cola's pretty easy. Finding the ingredients is damned hard. Most of this file is about finding and handling ingredients so as to produce a tasty bevvy without blowing up your kitchen, melting your flesh off your bones, or poisoning yourself. As with all undertakings of great moment, read and understand the instructions before attempting to commit cola on your own. Pay special attention to the "Warnings" section.

This recipe is licensed under the GNU General Public license. It is "Open Source" Cola, or, if you prefer, "Free" Cola. That means you're free to use this recipe to make your own cola, or to make derivative colas. If you distribute derivative colas, you're expected to send email to the recipe's author, Amanda Foubister ([email protected]) with your updates. In the future, we expect to have a CVS server up to handle additions, bug-reports, etc.

The Formula

7X (Top SeekrutTM) flavoring formula:

3.50 ml orange oil
1.00 ml lemon oil
1.00 ml nutmeg oil
1.25 ml cassia oil
0.25 ml coriander oil
0.25 ml neroli oil
2.75 ml lime oil
0.25 ml lavender oil
10.0 g gum arabic
3.00 ml water
OpenCola syrup:

2.00 tsp. 7X formula
3.50 tsp. 75% phosphoric acid or citric acid
2.28 l water
2.36 kg plain granulated white table sugar
0.50 tsp. caffeine (optional)
30.0 ml caramel color

Preparation

7X Flavoring

Mix oils together in a cup. Add gum arabic, mix with a spoon. Add water and mix well. I used my trusty Braun mixer for this step, mixing for 4-5 minutes. You can also transfer to a blender for this step. Can be kept in a sealed glass jar in the fridge or at room temperature.

Please note that this mixture will separate. The Gum Arabic is essential to this part of the recipe, as you are mixing oil and water.
Syrup:

In a one gallon container (I used the Rubbermaid Servin' Saver Dry Food Keeper, 1.3 US Gal/4.92 l), take 5 mls of the 7X formula, add the 75% phosphoric or citric acid. Add the water, then the sugar. While mixing, add the caffeine, if desired. Make sure the caffeine is completely dissolved. Then add the caramel color. Mix thoroughly.
Cola:

To finish drink, take one part syrup and add 5 parts carbonated water.
Scavenging and Handling Ingredients
7X flavor:

Measurement: I used a dropper purchased at a Shoppers Drug Mart (normally used to measure infant portions of medicine, I believe).

Oils: Oils can cause skin irritation. Wear latex food-prep or surgical gloves. If oils come in contact with skin, wash with soap and water.

I purchased all oils from health food stores and the herbalist store, Thuna's (see notes on gum arabic).

Everything could have come from the herbalist's. Try for 100 percent pure, undiluted oils. I used oils from the following companies:

    * CK Solutions, Ft. Wayne, IN 46825
    * Aura Cacia Oils, Weaverville, CA 96093
    * Aromaforce Essential Oils
    * Frontier Natural Flavors, www.frontiercoop.com
    * Karooch, Peterborough, ONT K9J 7Y8

When I purchased the oils, I specifically asked whether they were food grade or not. All persons said that they were, one person said she used them internally all the time.

Neroli is a very expensive item, be prepared (US$48.52 for 5.00 ml).

All others were a more reasonable price (US$2-9.30).

Gum Arabic: It is very important that you get only food-grade Gum Arabic. There is also an art-grade, which is readily available at art supply stores â€" never use art-grade Gum Arabic! Art-grade Gum Arabic is toxic. It will make you ill. You'll be sad. We'll be sad.

I found food-grade Gum Arabic at an herbalist store in Toronto called Thuna's (416) 461-8191. I purchased 112g for US$12.46, which will make more than 11 batches of flavoring formula.
Syrup:

Water: good old tap water will do, if you trust your tap. I used spring water.

75% Phosphoric Acid: Due to its acidity, this product is corrosive to the eyes and skin. Handle with gloved hands, and use extreme caution. If comes in contact with the eyes or skin, immediately flush with plenty of water for at least 15 minutes. Get medical attention. Rinse any spills on clothing or other surfaces thoroughly. Store in a secure area. Do not store more than 50.0 ml.

Try finding phosphoric acid at a compounding pharmacy in your area. There are pharmacies that still mix their own individual compounds and still stock phosphoric acid.

Citric acid: Very easy to find. I found mine at a Shoppers Drug Mart (Rougier Pharma Inc, Quebec, Canada J7J 1P3). Says right on the label, "For the preparation of acidulous drinks and effervescing draughts, and preservation of jams and jellies." According to the Coke history book, citric acid was used first in the formula, but they now use the phosphoric.

Sugar: Basic granulated white table sugar found everywhere. Buy from a bulk store to save some money.

Caffeine: It's best not to store caffeine in any amount. Caffeine can kill people in relatively small doses. The median lethal dose for an adult human is around 10 grams, or approximately one third of an ounce. You can find out more by reading the Material Safety Data Sheet (MSDS) for caffeine at http://www.jtbaker.com/msds/c0165.htm. Don't yeild to the temptation to create a "Super-Joltâ"¢," adding tons and tons of the white stuff to your cola, our you'll be in a world of hurt. If stored, store in a secure area away from children. Toxic by inhalation and ingestion: If inhaled, remove to fresh air, If ingested, call a physician. Possible teratogen and mutagen. If product comes in contact with the eyes, flush with plenty of water. There is some great information on caffeine and it's over-consumption at http://www.thecaffeinepage.com.

Caffeine is completely optional. I used part of a caffeine pill (MVP, www.mvpnutrition.com), ground up in a pestle with a mortar. According to information on the pill bottle and on the Web site, the pills are 100% caffeine. As an extra safety precaution, I strained all of the syrup through a 4-ply of cheesecloth, in case any of the caffeine wasn't dissolved.

Caramel color: I found mine at a bakery supply store (World of Cake Decorating, 1766 Weston Road, Toronto, Ontario, Canada 416-247-4935). I was originally told to use double strength caramel color, but couldn't find it anywhere (retail or wholesale). It really only adds color, so it makes it a bit paler than we are used to coming out of a can or bottle. No other difference that we could discern during our taste-testing.
Cola:

Soda Water: I purchased a soda charger and CO2 cartridges at Nikolaou's (629 Queen Street West, Toronto, Ontario, Canada 416-504-6411) to deliver the soda charge needed to make the cola fizzy. At testing, no one was impressed. What worked best was adding canned sodium-free (very important!) soda water to the syrup.

If you would like to make soda water yourself as well, here is a recipe from a great Web site on beverages (http://www.upl.cs.wisc.edu/~craft/bar/section7.html):

Soda: Carbonated Water

    * 5 U.S. gallons of water
    * 1.5 cups sugar (or sugar syrup)
    * 1 teaspoon dry bread yeast (rehydrated)

I fill each bottle 2/3 full, screw on the top, and leave for one or two weeks. Each weekend I measure and add the syrup to a few bottles, top them off with water and stick them in the fridge.

This is a very quick operation. I had experimented with adding dry sugar, but this caused an excessive amount of foaming.
Warnings:

These are all associated with each of their ingredients, but they're repeated here just to make sure. We're not making this stuff up. Cola is a harsh mistress, and she is quick to anger. Heed the warnings below or proceed into certain peril.

Oils: Can cause skin irritation. If oils come in contact with skin, wash with soap and water.

Gum Arabic: It is very important that you get only food-grade Gum Arabic. There is also an art-grade, which is readily available at art supply stores â€" never use art-grade Gum Arabic! Art grade Gum Arabic is toxic. It will make you ill. You'll be sad. We'll be sad.

75% Phosphoric Acid: Due to its acidity, this product is corrosive to the eyes and skin. Handle with gloved hands, and use extreme caution. If comes in contact with the eyes or skin, immediately flush with plenty of water for at least 15 minutes. Get medical attention. Rinse any spills on clothing or other surfaces thoroughly. Store in a secure area. Do not store more than 50.0 ml.

Caffeine: It's best not to store caffeine in any amount. Caffeine can kill people in relatively small doses. The median lethal dose for an adult human is around 10 grams, or approximately one third of an ounce. You can find out more by reading the Material Safety Data Sheet (MSDS) for caffeine at http://www.jtbaker.com/msds/c0165.htm. Don't yield to the temptation to create a “Super-Joltâ"¢â€Â adding tons and tons of the white stuff to you cola, our you'll be in a world of hurt. If stored, store in a secure area away from children. Toxic by inhalation and ingestion: If inhaled, remove to fresh air. If ingested, call a physician. Possible teratogen and mutagen. If product comes in contact with the eyes, flush with plenty of water. There is some great information on caffeine and it's over-consumption at http://www.thecaffeinepage.com.
Thanks, Acknowledgements and Afterward:

The 7X that I experimented with comes from the great Coke history book, For God, Country, & Coca-Cola, by Mark Pendergrast, Basic Books, 1993, 2000, ISBN 0-465-05468-4. I know, I know. I list 8 oils, not 7. It notes in the book that many believe lavender to be part of the 7X formula, so I tried it. We liked it in testing.

Special thanks to Pharmacist David at the IDA (Queen West near Jameson, Toronto) for advice on phosphoric acid and chemistry.

Thanks to Barb Holland and Rose Murray from Foodland Ontario for advice on various ingredients and general soda making.
Contributors:

The following people have contributed refinements to the formula. Thanks to:
Cory Doctorow ([email protected])
Tom Swulius ([email protected])

GNU GENERAL PUBLIC LICENSE


Version 2, June 1991

Copyright (C) 1989, 1991 Free Software Foundation, Inc.
59 Temple Place - Suite 330, Boston, MA 02111-1307, USA

Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.

Preamble

The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change free softwareâ€"to make sure the software is free for all its users. This General Public License applies to most of the Free Software Foundation's software and to any other program whose authors commit to using it. (Some other Free Software Foundation software is covered by the GNU Library General Public License instead.) You can apply it to your programs, too.

When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in new free programs; and that you know you can do these things.

To protect your rights, we need to make restrictions that forbid anyone to deny you these rights or to ask you to surrender the rights. These restrictions translate to certain responsibilities for you if you distribute copies of the software, or if you modify it.

For example, if you distribute copies of such a program, whether gratis or for a fee, you must give the recipients all the rights that you have. You must make sure that they, too, receive or can get the source code. And you must show them these terms so they know their rights.

We protect your rights with two steps: (1) copyright the software, and (2) offer you this license which gives you legal permission to copy, distribute and/or modify the software.

Also, for each author's protection and ours, we want to make certain that everyone understands that there is no warranty for this free software. If the software is modified by someone else and passed on, we want its recipients to know that what they have is not the original, so that any problems introduced by others will not reflect on the original authors' reputations.

Finally, any free program is threatened constantly by software patents. We wish to avoid the danger that redistributors of a free program will individually obtain patent licenses, in effect making the program proprietary. To prevent this, we have made it clear that any patent must be licensed for everyone's free use or not licensed at all.

The precise terms and conditions for copying, distribution and modification follow.
TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION

0. This License applies to any program or other work which contains a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License. The "Program", below, refers to any such program or work, and a "work based on the Program" means either the Program or any derivative work under copyright law: that is to say, a work containing the Program or a portion of it, either verbatim or with modifications and/or translated into another language. (Hereinafter, translation is included without limitation in the term "modification".) Each licensee is addressed as "you".

Activities other than copying, distribution and modification are not covered by this License; they are outside its scope. The act of running the Program is not restricted, and the output from the Program is covered only if its contents constitute a work based on the Program (independent of having been made by running the Program). Whether that is true depends on what the Program does.

1. You may copy and distribute verbatim copies of the Program's source code as you receive it, in any medium, provided that you conspicuously and appropriately publish on each copy an appropriate copyright notice and disclaimer of warranty; keep intact all the notices that refer to this License and to the absence of any warranty; and give any other recipients of the Program a copy of this License along with the Program.

You may charge a fee for the physical act of transferring a copy, and you may at your option offer warranty protection in exchange for a fee.

2. You may modify your copy or copies of the Program or any portion of it, thus forming a work based on the Program, and copy and distribute such modifications or work under the terms of Section 1 above, provided that you also meet all of these conditions:

a) You must cause the modified files to carry prominent notices stating that you changed the files and the date of any change.

b) You must cause any work that you distribute or publish, that in whole or in part contains or is derived from the Program or any part thereof, to be licensed as a whole at no charge to all third parties under the terms of this License.

c) If the modified program normally reads commands interactively when run, you must cause it, when started running for such interactive use in the most ordinary way, to print or display an announcement including an appropriate copyright notice and a notice that there is no warranty (or else, saying that you provide a warranty) and that users may redistribute the program under these conditions, and telling the user how to view a copy of this License. (Exception: if the Program itself is interactive but does not normally print such an announcement, your work based on the Program is not required to print an announcement.)

These requirements apply to the modified work as a whole. If identifiable sections of that work are not derived from the Program, and can be reasonably considered independent and separate works in themselves, then this License, and its terms, do not apply to those sections when you distribute them as separate works. But when you distribute the same sections as part of a whole which is a work based on the Program, the distribution of the whole must be on the terms of this License, whose permissions for other licensees extend to the entire whole, and thus to each and every part regardless of who wrote it.

Thus, it is not the intent of this section to claim rights or contest your rights to work written entirely by you; rather, the intent is to exercise the right to control the distribution of derivative or collective works based on the Program.

In addition, mere aggregation of another work not based on the Program with the Program (or with a work based on the Program) on a volume of a storage or distribution medium does not bring the other work under the scope of this License.

3. You may copy and distribute the Program (or a work based on it, under Section 2) in object code or executable form under the terms of Sections 1 and 2 above provided that you also do one of the following:

a) Accompany it with the complete corresponding machine-readable source code, which must be distributed under the terms of Sections 1 and 2 above on a medium customarily used for software interchange; or,

b) Accompany it with a written offer, valid for at least three years, to give any third party, for a charge no more than your cost of physically performing source distribution, a complete machine-readable copy of the corresponding source code, to be distributed under the terms of Sections 1 and 2 above on a medium customarily used for software interchange; or,

c) Accompany it with the information you received as to the offer to distribute corresponding source code. (This alternative is allowed only for noncommercial distribution and only if you received the program in object code or executable form with such an offer, in accord with Subsection b above.)

The source code for a work means the preferred form of the work for making modifications to it. For an executable work, complete source code means all the source code for all modules it contains, plus any associated interface definition files, plus the scripts used to control compilation and installation of the executable. However, as a special exception, the source code distributed need not include anything that is normally distributed (in either source or binary form) with the major components (compiler, kernel, and so on) of the operating system on which the executable runs, unless that component itself accompanies the executable.

If distribution of executable or object code is made by offering access to copy from a designated place, then offering equivalent access to copy the source code from the same place counts as distribution of the source code, even though third parties are not compelled to copy the source along with the object code.

4. You may not copy, modify, sublicense, or distribute the Program except as expressly provided under this License. Any attempt otherwise to copy, modify, sublicense or distribute the Program is void, and will automatically terminate your rights under this License. However, parties who have received copies, or rights, from you under this License will not have their licenses terminated so long as such parties remain in full compliance.

5. You are not required to accept this License, since you have not signed it. However, nothing else grants you permission to modify or distribute the Program or its derivative works. These actions are prohibited by law if you do not accept this License. Therefore, by modifying or distributing the Program (or any work based on the Program), you indicate your acceptance of this License to do so, and all its terms and conditions for copying, distributing or modifying the Program or works based on it.

6. Each time you redistribute the Program (or any work based on the Program), the recipient automatically receives a license from the original licensor to copy, distribute or modify the Program subject to these terms and conditions. You may not impose any further restrictions on the recipients' exercise of the rights granted herein. You are not responsible for enforcing compliance by third parties to this License.

7. If, as a consequence of a court judgment or allegation of patent infringement or for any other reason (not limited to patent issues), conditions are imposed on you (whether by court order, agreement or otherwise) that contradict the conditions of this License, they do not excuse you from the conditions of this License. If you cannot distribute so as to satisfy simultaneously your obligations under this License and any other pertinent obligations, then as a consequence you may not distribute the Program at all. For example, if a patent license would not permit royalty-free redistribution of the Program by all those who receive copies directly or indirectly through you, then the only way you could satisfy both it and this License would be to refrain entirely from distribution of the Program.

If any portion of this section is held invalid or unenforceable under any particular circumstance, the balance of the section is intended to apply and the section as a whole is intended to apply in other circumstances.

It is not the purpose of this section to induce you to infringe any patents or other property right claims or to contest validity of any such claims; this section has the sole purpose of protecting the integrity of the free software distribution system, which is implemented by public license practices. Many people have made generous contributions to the wide range of software distributed through that system in reliance on consistent application of that system; it is up to the author/donor to decide if he or she is willing to distribute software through any other system and a licensee cannot impose that choice.

This section is intended to make thoroughly clear what is believed to be a consequence of the rest of this License.

8. If the distribution and/or use of the Program is restricted in certain countries either by patents or by copyrighted interfaces, the original copyright holder who places the Program under this License may add an explicit geographical distribution limitation excluding those countries, so that distribution is permitted only in or among countries not thus excluded. In such case, this License incorporates the limitation as if written in the body of this License.

9. The Free Software Foundation may publish revised and/or new versions of the General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns.

Each version is given a distinguishing version number. If the Program specifies a version number of this License which applies to it and "any later version", you have the option of following the terms and conditions either of that version or of any later version published by the Free Software Foundation. If the Program does not specify a version number of this License, you may choose any version ever published by the Free Software Foundation.

10. If you wish to incorporate parts of the Program into other free programs whose distribution conditions are different, write to the author to ask for permission. For software which is copyrighted by the Free Software Foundation, write to the Free Software Foundation; we sometimes make exceptions for this. Our decision will be guided by the two goals of preserving the free status of all derivatives of our free software and of promoting the sharing and reuse of software generally.
NO WARRANTY

11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION.

12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES
0

Creativity and Culture

Creativity is not just about having good ideas. Creativity is part of our culture and the most important factor in all human advances to date.

Creativity is not just about having good ideas. Creativity is part of our culture and the most important factor in all human advances to date.

There are many factors that make up a culture ranging from brand names and fashion to movies and technology. Each of these factors is directly influenced by creativity.

Brand names are a great example of our culture that is effected by creativity. Without a lot of creativity, it would be hard to distinguish between the many brands. Brand names strive to be more creative than their competitors so that they get more recognition and ultimately sales. There is a lot of creativity that goes into making a brand what it is. A brands logo is a focal point for brand recognition is based on a creative way to express the brands image. Even the brands image required a creative spark for it to be created.

The fashion world is heavily influenced by creativity. All the followers of the cult that is fashion want to show that they are up with the latest trend. As a new style is created, the cult followers eagerly part with their money in order to be one of the first to embrace a trend.

Movies have a high aspect of creativeness to them. The story lines, dialogue, clothes and props have all been spawned from someone's creative streak. The creativeness in these movies have a large impact on our culture through our dreams, inspiration and from people comparing situations in movies to their own situations.

Creativity is the corner stone of all human societies and makes us human. It has allows us to take great steps forward and affects every aspect of our culture.

0

Defining Syncracy

Syncracy is not a word and for quite sometime it had no mentions in Google. In 2002 only two pages in Google's search result even contained it. Then for some reason people tried to create a definition. There are now definitions such as:

A system of governance which adopts two or more systems such as communism and capitalism.

This is just one such definition. You are not likely to find two definitions that agree with each other. Another definition is:

Syncracy is a social psych term that describes families who make decisions by consensus. Wikis themselves seems a very syncratic mechanism, don't you think? I meant government by mutually Constructive Interference. Now don't go asking me to define constructive interference.

Syncratic

As you notice the two definitions do not agree with each other. One of the causes of this is that some people have tried to adapt the definition of the word syncratic. Even then, syncratic is not a word used in English.

Idiosyncrasy

The most like source of the words Syncracy and Syncratic is the words idiosyncrasy and idiosyncratic. The word idiosyncrasy is defined as:

Idiosyncrasy
noun, plural idiosyncrasies.

  1. a characteristic, habit, mannerism, or the like that is peculiar to an individual.
  2. the physical constitution peculiar to an individual.
  3. a peculiarity of the physical or the mental constitution, especially susceptibility toward drugs, food, etc.

The word idiosyncrasy originated in c.1600, from French idiosyncrasie, from Greek idiosynkrasia "a peculiar temperament," from idios "one's own" + synkrasis "temperament, mixture of personal characteristics," from syn "together" + krasis "mixture". Originally in English a medical term meaning "physical constitution of an individual." Mental sense first attested 1660s.

The real definition

If Syncratic was to be coined as a term, it would be defined as:

Syncratic
adjective

  1. created in a style similar to Syncrat.com
0

Terms related to syncratic

Syncratic decision making

  1. One of the types of purchase decision-making in the family with respect to various products and services. In this type of decision-making, both spouses are equally involved and take decisions jointly. Therefore, such decisions are also called joint decisions.
  2. Where the spouses jointly decide about the purchase.

Idiosyncratic

  1. A structural or behavioral characteristic peculiar to an individual or group.
  2. A physiological or temperamental peculiarity.
  3. An unusual individual reaction to food or a drug.

Socratic Seminar

The goal of a Socratic seminar is for students to help one another understand the ideas, issues, and values reflected in a specific text. Students are responsible for facilitating a discussion around ideas in the text rather than asserting opinions. Through a process of listening, making meaning, and finding common ground students work toward shared understanding rather than trying to prove a particular argument.

Socratic method

Socratic method , also known as method of elenchus, elenctic method, or Socratic debate, is named after the classical Greek philosopher Socrates. It is a form of inquiry and discussion between individuals, based on asking and answering questions to stimulate critical thinking and to illuminate ideas. It is a dialectical method, often involving a discussion in which the defense of one point of view is questioned; one participant may lead another to contradict themselves in some way, thus strengthening the inquirer's own point.

Syncretic religion

  1. Reconciliation or fusion of differing systems of belief, as in philosophy or religion, especially when success is partial or the result is heterogeneous.
  2. Linguistics - The merging of two or more originally different inflectional forms.

Syncretic thinking

A stage in the development of the cognitive thought processes of the child during which thought is based purely on what is perceived and experienced. The child is incapable of reasoning beyond the observable or of making deductions or generalizations. Through imaginative play, questioning, interaction with others, and the increasing use of language and symbols to represent objects, the child begins to learn to make associations between ideas and to elaborate concepts. In Piaget's classification, this stage occurs between 2 and 7 years of age and is preceded by the sensorimotor stage of development, when the child progresses from reflex activity to repetitive and imitative behaviour.

Idiosyncratic Risk

  1. Risk that is specific to an asset or a small group of assets.
  2. Idiosyncratic risk has little or no correlation with market risk, and can therefore be substantially mitigated or eliminated from a portfolio by using adequate diversification.

Contribute Related

Posts are independent and could be shown without the context of those above